I believe sound serves as an emotional connection between the action depicted on stage and the audience. I seek to link the emotional pulse of the action on stage to the world I create, as well as challenging an audience to look within themselves. New work excites me the most, allowing me to design stories that are still evolving. I believe new work is vital to our industry, because it elevates up and coming professionals and allows us to shape the future of our industry.

As a sound designer, I focus primarily on creating realistic soundscapes, often including both diegetic and non-diegetic sound. I believe the purpose of sound design is to elevate the story being told on stage, not to overpower it. 

In grpahic design, I focus primarily on brand identity, motion graphics, and print layout. Working on projects related to the live entertainment industry excites me the most.

Recepient of:
• The Harry Weininger Sound and Video Fellowship at Berkeley Repertory Theatre [2025/26 Season]
 
 • The Kennedy Center American College Theater Festival Region II Excellence in Sound Design Award (Men on Boats) [2024]
 
• Don Childs DTM Cross Discipline Collaboration Award via the Kennedy Center American College Theater Festival Region II (Love and Information) [2025]
 
• The Eugene O’Neill Theater Sound Fellowship via the Kennedy Center American College Theater Festival National Festival (Men on Boats) [2024 Summer Season]
 
• The Kennedy Center American College Theater Festival Region II Honorable Mention in Sound Design Award (Love and Information) [2025]
 
• The Kennedy Center American College Theater Festival Region II Sound Design Alternate (The Trojan Woman) [2023]

I am a New York City/Long Island based theatrical/live entertainment sound designer and graphic designer.  I graduated in May 2025, magna cum laude, with a BFA in Theatre Tech and Design with a concentration in sound design and Studio Art with a concentration in Graphic Design.

Curious about my graphic design work?
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