ABOUT ME
I believe sound serves as an emotional connection between the action depicted on stage and the audience. I seek to link the emotional pulse of the action on stage to the world I create, as well as challenging an audience to look within themselves. New work excites me the most, allowing me to design stories that are still evolving. I believe new work is vital to our industry, because it elevates up and coming professionals and allows us to shape the future of our industry.
As a sound designer, I focus primarily on creating realistic soundscapes, often including both diegetic and non-diegetic sound. I believe the purpose of sound design is to elevate the story being told on stage, not to overpower it.
As a graphic designer, I focus primarily on brand identity, motion graphics, and print layout. Working on projects related to the live entertainment industry excites me the most.
Recepient of:
The Kennedy Center American College Theater Festival Region II Excellence in Sound Design Award • 2024 (Men on Boats)
Don Childs DTM Cross Discipline Collaboration Award via the Kennedy Center American College Theater Festival Region II • 2025 (Love and Information)
The Eugene O’Neill Theater Sound Fellowship via the Kennedy Center American College Theater Festival National Festival • 2024 (Men on Boats)
The Kennedy Center American College Theater Festival Region II Honorable Mention in Sound Design Award • 2025 (Love and Information)
The Kennedy Center American College Theater Festival Region II Sound Design Alternate • 2023 (The Trojan Woman)